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Uncomplicated Nancy Meyers’ Own Home!

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This year, Christmas Day is meaning one thing to me it seems – It’s Complicated finally arrives in theatres!    The newest eagerly awaited movie from Nancy Meyers has gotten early so-so reviews.   But what’s new?    Most of her movies don’t get raves from the critics, but the audiences love them.   Maybe this one will be the one that gets Nancy Meyers the respect she deserves.   It was recently nominated for Best Comedy by the Golden Globes and its star Meryl Streep was nominated for Best Comedic Actress for blogger favorite Julie and Julia AND It’s Complicated.   The buzz, despite early mixed reviews, is huge.   And of course, the 1920’s Santa Barbara house where Streep’s character lives is getting a lot of attention.  Traditional Home featured it in their latest magazine and recently added more pictures on their web site.    Even the New York Times has gotten into the act with a lengthy cover story of Meyers in its previous weekend magazine  HERE.   Right now, Nancy Meyers is hot – for once.

 

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The youthful looking Nancy Meyers with her trademark glasses.   Does she look like the most powerful woman in Hollywood?    Maybe more like a friend or  a sister?   I am a huge fan of the woman – reading in the NYT story of how she was booted out of her “power booth” in a trendy LA restaurant in favor of lawyer to the stars, Howard Weitzman, makes me admire her all the more.    The list of movies she’s either written, produced or directed includes so many blockbusters – it’s shocking she still can’t get a “good” table at restaurants – yet I’m not surprised.   She doesn’t look like a major Hollywood player, yet the author of the NYT article postulates Meyers is THE woman in Tinsel Town – the most powerful female working in film today.  

 

 

Private Benjamin:   One of the funnier scenes in the movie.   Eileen Brennan almost steals the movie from Goldie Hawn.

 

Nancy Meyers’ first screen credit was in 1980 with Private Benjamin – which she co-wrote and produced along with her partner and now ex-husband Charles Shyer.   I was a single, 26 year old when I saw that movie and related tremendously to Judy Benjamin, the spoiled Jewish princess who finds herself stuck in the army (well, ok.  I didn’t exactly relate to the Army part!!!)   One scene contains what I still consider a genius piece of comedic editing:    meeting the hopelessly gorgeous Frenchman, Henri, Judy is aloof.    A romantic Frenchman for a Jewish princess?   Not going to happen.     She ignores the handsome Henri’s attentions as a “lost cause” – he obviously is not marriage material, so why bother?   When in conversation he softly utters the words “I’m Jewish” – the scene immediately cuts to the two of them in bed together.    So funny, yet so true!   My friends and I howled over that scene.   It’s no wonder I related to Judy – Nancy Meyers was another Jewish princess, only five years older than myself.   But at that time, I had no idea we shared another quality – a love of interior design.

 

 

Meyers and  Charles Shyer on the set of “Irreconcilable Differences” in 1983.  Once her partner and husband, Shyer is now remarried with young children.   That hair!    It looks like they even went to the same beautician!

 

On the heels of the success of Private Benjamin, other hits followed:   Irreconcilable Differences, Baby Boom (with wonderful set design, a hint of things to come), Father of the Bride, Parts I and II, I Love Trouble, The Parent Trap, and then came the blockbuster hits – Something’s Gotta Give, and The Holiday.   While she produced and directed What Women Want, she didn’t write it, which probably explains why it’s not a favorite of mine.   It’s Complicated is sure to be another huge hit.    Helping fuel the excitement is “the house” – the silent star of Meyer’s latest movies.  She is becoming known more for her set design than the script itself.      Father of the Bride was her first movie where the house upstaged the actors.  I remember a friend bragging that her own new George Smith sofa was featured in that movie.  A George Smith sofa?   In a movie?  Seriously?     It really is no surprise that Meyers’ films would feature beautiful interiors when you learn her background - she grew up around antiques and good interior design.  Her mother was a decorator and other close relatives were in the antiques business. She spent her childhood traipsing through the fields at antique shows with her parents.   Her love of interior design spills over to her leading ladies, especially since the characters seem based on herself.     Meyers own house is a beauty that rivals any she has created for a movie, and indeed, her designer James Radin helped create the decorating themes for SGG, The Holiday and It’s Complicated.    Touring Nancy Meyers own house, the line is sometimes blurred between reality and cinema.  

 

 

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Father of the Bride, Part I and II were the start of Meyer’s career as the Interior Designer Movie Maker.   The house featured two slipcovered George Smith sofas and other expensive furnishings.   Steve Martin remembers thinking it was all a bit too fancy for audiences to relate to.  He couldn’t have been more wrong – Meyers interiors are a huge part of her appeal.   

 

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Father of the Bride – The Living Room.

Looking at the Father of the Bride living room from the opposite direction, this fabulous slipcovered wing chair is covered in an expensive tea-stained English linen fabric.   In the recent New York Times article, Meyers discusses and defends her reasoning behind using good fabrics and expensive furniture on her sets:  it’s part of the narrative.  The characters, women who resemble Nancy Meyers herself, are successful and independent.  Of course they would have fine furnishings – Meyers does herself.  If this movie was made today – the walls would probably be painted white, not yellow.  There would be very few pillows on the sofa, instead of the dozen there now.  The rug would be seagrass, and there would be a more important coffee table.  The lace curtains would be banned, the framed prints would have white mats, not dark ones, and the accessories would be larger and fewer.   The Father of the Bride was released in 1991 – 18 years ago and it’s amazing to see how much interior decoration has changed since then.

 

 

 

Father of the Bride Filming Location

The wonderful white Colonial in the Father of the Bride series.   With the picket fence and climbing ivy – how more American apple pie can you get?   One criticism of Meyers  is  her films have all white casts with very few ethnic minorities showing up in her world.

 

 

image Father of the Bride Part II revolves around the remodeling of the house with the addition of the baby nursery.   The gorgeous nursery was revealed with much fanfare by Franck – the wedding planner turned interior designer played by Martin Short. 

 

 

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The remake of Disney’s The Parent Trap featured two important houses – one for each twin.   The California house was filmed at the Staglin Family Vineyard.

 

 

 

The Staglin Family Vineyards – here is how the living room looks furnished by the owners.  Meyers replaced all the furniture, it appears, but the glorious and important painting – Fischmarkt.   Painted by Thomas Schindler in Berlin, 1989, it depicts the “common man” in 1970s Europe.   The poor worker is buying his dinner at a local fish market – just a few small sardines - yet he is surrounded by the much larger, whole fish.  Art plays an important role in some of Meyers movies.   In particular, the art used in SGG was an outstanding choice.

 

 

image In the Parent Trap, this is the London townhouse where Annie’s mother and Annie live.  Meyers said that she wanted the background to play up Lindsey’s coloring.  In It’s Complicated, she chose the cream and peach palette to make Streep’s complexion glow.  Matching paint colors to the owner’s complexion is a good trick to use – I’ve done it a few times and it really is wonderful.

 

 

 

Meyers and Shyer coaching the young and innocent Lindsey Lohan in The Parent Trap – London location.  This scene where Hallie tries to make the guards move didn’t make it into the final cut.

 

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Meyers on the set of the Something’s Gotta Give – the master bedroom.   This house is her Oscar winning performer – none before or since is as wonderful as this Southampton beach house!

 

 

 

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The Holiday, her last movie, featured two houses.  This one, Amanda Wood’s L.A. house, was more cold feeling than most of Meyer’s interiors.  Or course – this matched the owner – Amanda had emotional issues.

 

 

Produktionsbild: Sets zu The Holiday

Iris’ Cotswold tiny cottage was the favorite – the living room filled with Robert Kime fabrics, suzanis, lanterns, tickings, bamboo, and all sorts of wonderful clutter – was cozy and charming.    Everyone wanted to move in here!

 

 

image  The long awaited It’s Complicated.   Meyers takes a year off between movies, then spends two years making one.  It’s three years between her films – too long for interior design aficionados to wait!!!!    Meyers says she removed the walls between the living room, dining room and kitchen to make it all one big space.   Here – in a scene reminiscent of SGG, a lively meal is shared by friends.      Meyers is a casual dresser – seen here in what seems like a uniform, a sweater and a scarf - her own interiors are as casual as her clothing. 

 

In 2004, on the heels of the success of Something’s Gotta Give, In Style Home magazine visited Nancy Meyers at home in the Pacific Palisades.  At that time the house was five years old – its construction started during her marriage, but Meyers was single by the time it was completed.   At first she wanted an East Coast shingle styled house, similar to the SGG version, but a trip to France changed all that, along with Cote Sud magazine.   She attacked the design the same way she does movies – with great attention to detail and much research.    In the end, the house’s architecture was very French inspired, with a tiled roof, thick walls, stone fireplaces and floors, and beamed ceilings.    She and James Radin, her interior designer,  went back to France to shop for the furnishings.     The interiors are more similar in decorating style to the Father of the Bride house than the SGG house.   It’s yellow walls and toile, while French inspired, actually lend  an English vibe.    There are similarities in rooms to different movies of hers:   her kitchen is said to have been an inspiration to the famous SGG kitchen.    And similarities exist between her real life study and Erica’s workspace.    Her sunroom shares elements of the  Cotswold cottage from The Holiday.   Meyers bought the house for her two girls, but she is now an empty nester.  She claims no deep attachment to the house and instead is ready to pass it onto a younger family so they can raise their own children there.   She is moving on.    Armed with more notebooks of pictures and clippings, she is planning her new house and hopes to purchase some of the furnishings in the It’s Complicated house for its interiors.  I wonder if she will be changing from French to Belgian.  Will life imitate art?    After all, there is a distinct Belgian feel to the Santa Barbara house that Jane lives in.  

 

Nancy Meyer’s Personal House in the Pacific Palisades:

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The living room in Nancy Meyers’ Pacific Palisades house is casual – done in gold chenille with orange accents.  The fireplace has a limestone mantel.   This room reminds me of the living room in It’s Complicated. 

 

 

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It’s Complicated Living Room

The casual, cluttered and cozy living room in It’s Complicated resembles Meyer’s living room – though here the furniture is covered in white slipcovers.  Where Meyer’s living room has a French feel to it, this living room is more Belgian inspired.  Despite these differences – it isn’t hard to see that the same woman is behind both rooms.   Both are “living rooms” but both seem more like casual family rooms.   Meyers is definitely not one to live with fancy, “no touch” interiors.

 

 

 

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Nancy Meyer’s Office

Meyers’ home office is off the living room and the octagonal library (not shown in the magazine.)   The ceilings were copied from a house she saw in France and the wood desk in front of the windows is eerily similar to Keaton’s writing area in Something’s Gotta Give.   The beautiful chintz covered chair and ottoman are English styled, giving Meyers a spot to nap while writing – something she likes to do.  I love the wicker magazine holder and in-box on her desk.  The brass lamp is great, as is the lantern.   The ergonomically designed desk chair needs to go, though!   Maybe she could slip cover it????  I have to say I am in love with that chair and that fabric!  It reminds of the fabric used in the dining room of SGG.

 

 

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Something’s Gotta Give:  Erica’s workspace resembles Meyers workspace.

While both desks look antique, Erica’s has turned wood legs and Meyers’ desk legs are straight.  Isn’t this desk from the movie fabulous?  Poor Erica – she looks so unhappy here!!!!  

 

 

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Something’s Gotta Give – Erica Berry’s work space

Erica, unlike Meyers, has a charming chair – an old fashioned office chair - probably from Pottery Barn.  What a beautiful room, what a beautiful house!  One day I would love to write a book about it and how it influenced houses across America!!!!

 

 

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Nancy Meyer’s Dining Room

The casually elegant dining room in Meyer’s house is my favorite room.   The chairs are covered in Bennison’s toile in charcoal.   The mirror is a reproduction - velvet framed – a copy of one Meyers found in France that couldn’t be restored.  The mirrored and crystal sconces are charming and the wonderful antique chandelier is perfectly reflected in the mirror.  I’m not sure where that fireplace seen in the reflection is located – perhaps the octagonal library has a fireplace?   I covet her blue opaline goblets!    Of course some type of textured rug is used here – it looks like a sisal.    The dining room really doesn’t remind me of any of her movie houses.   Though the SGG house has patterned covered chairs, the rooms are totally different. 

 

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The kitchen in Meyers house is said to have been the inspiration for the famous SGG kitchen.  A major difference is the white marble used here versus the black slate used in the SGG house.    Meyers says she loves kitchens – she wrote It’s Complicated around a kitchen remodel after all!   She spends a lot of her time here along with her two daughters - the younger one Hallie is pictured here.   Though some of the cabinets have glass fronts like the SGG kitchen – I don’t think the two are all that similar, do you? 

 

 

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Something’s Gotta Give – the famous kitchen inspired by Nancy’s own.

Similar in some elements, but mostly different.  The black countertops make a big difference, as does the subway tile.  Meyers’ kitchen has the marble slab backsplash.  The stainless hood is similar.  Today – six years later – a more decorative wood or stucco hood might have been used in both kitchens.   But one similarity is the second island with the wood countertop!    Those are exactly the same in the real house and the movie house.

 

 

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Nancy Meyers – The Sunporch:

Another wonderful room is upstairs  - the sunporch, which Nancy reports is also a much used room.  Again, this room has an English feel though the house was modeled after a French country home.   The furniture is cushy down English styled upholstery.    The ticking on the chair is wonderful – as is the antique drum doubling as a table.   The walls are yellow, the curtains toile.   The tufted ottoman doubling as a coffee table is very similar in size and function to the SGG living room coffee table.    But – surprisingly, this room resembles The Holiday’s Cotswold cottage the most.

 

 

 

imageA full view of the sunporch – from the magazine In Style Home – pardon the missing portion of the picture!  I love this room!

 

 

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The Holiday:  The Cotswold cottage

In The Holiday’s Cotswold cottage, there is the tufted ottoman and similar curtains to Meyers’ own sunporch.   And, the antique drum is a dead ringer for Meyers.    Both rooms, though so different in their architecture, share many similar elements:   tickings, patterned fabrics and rug, and a general cozy, cluttered feeling that is prevalent in both houses.  I’d bet Nancy would love to have the Cotswold house for a second home.  Like some of her movie houses, the exterior was built for the movie and the interiors were filmed on a sound stage.  

 

 

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In SGG, the tufted ottoman makes another appearance, although a throw covers much of this one.  I love this shot from the movie!

 

 

 

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Nancy Meyers’ Master Bedroom:

 

Meyers’ bedroom has white walls and light blue fabrics used throughout.   This room is the most French in feel -  the headboard is French, as are the yellow silk bergere and end table.

 

 

scan0017-1     Nancy Meyer’s Master Bedroom:

Two vintage styled armchairs in blue velvet sit in front of a fireplace  - the curtains are cream with a blue vine running through them.  The bedroom was inspired by London’s Dorchester hotel.  Not sure if their furniture is French too?   The blue bedroom doesn’t resemble any of her movie bedrooms that I know of.   None come close.  But the blue and white decor theme is found in the SGG house – it’s famous living room is a vision in the same colors!

 

 

 scan0022-1 Hallie’s Bedroom:

 

Hallie’s bedroom is a typical teenager’s room – with a canopy bed, white linens and a red toile chair.  Her father, Charles gifted her the poster of her favorite movie, Audrey Hepburn’s Funny Face.  

 

 

The teenaged daughter’s bedroom in It’s Complicated.

This bedroom is much different from Hallie’s– colorful and textural, there is no really no similarity between these two rooms.   Nor does Hallie’s bedroom resemble the twin’s bedrooms in The Parent Trap, either.

 

 

image Hallie Meyers-Shyer. 

Now 21 and living in New York, she is collaborating with her father Charles Shyer on scripts.  She is going into the family business she quips.  A bit of trivia – Hallie’s older sister is named Annie.   The twins played by Lindsey Lohan in The Parent Trap were also named Hallie and Annie!  And both the real Hallie and Annie had bit parts in the movie as girls at summer camp.  

 

 

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Nancy Meyers back porch.

The porch leading off Nancy’s office is French inspired with its wicker furniture, French doors, and lanterns.  In the doorway, you can see into the office, with its chair and ottoman and lantern above.    The house is painted yellow, with blue shutters in true French Provence fashion.    Similarly, the movie It’s Complicated has several outdoor locations similar to this:

 

 

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It’s Complicated:  The Porch.

It’s hard to believe the It’s Complicated house was actually built in New York for the movie – though it’s supposed to be in Santa Barbara!   Here the porch is not French like Nancy Meyer’s house, but the outdoor space has a similar feel.   Wicker and lanterns are similar elements. 

 

 

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Another sneak peek at It’s Complicated.   This porch looks into the living room and the brick is painted red here, not white – I wonder why?

 

 

It’s Complicated.  

I can’t wait to see the movie!!!   What a charming work space!! 

 

 

Here you can see the red tiled roof of the Santa Barbara house from It’s Complicated.    Meryl Streep’s character owns a bakery and apparently she is a avid gardener too, judging from the pictures. 

 

 

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The Master Bedroom from It’s Complicated.  It’s nothing like the light blue master bedroom Nancy Meyers sleeps in at night. 

 

A very special thank you to a Cote de Texas reader who graciously mailed me the pages from In Style Home of Nancy Meyers’ house.   It is so interesting to compare her private house to her movie houses.   I definitely see a commonality between the interior designs – mostly casual, cluttered, warm and cozy, lots of wicker and linen, slips and sisal, the houses are all welcoming and inviting – spaces you would love to spend time in.   It will be fascinating to see what her new house will look like – will she go Belgian like the It’s Complicated house, or will she go East Coast like the SGG house?   Perhaps she’ll go Colonial like the Father of the Bride house.

And while anxiously awaiting Christmas day to hopefully sneak off and go see It’s Complicated - I remember well  Christmas night of 2003.   I received a call from a client – she was hyperventilating.   She had just left the theatre after seeing Something’s Gotta Give:  “That’s what I want my house to look like, exactly that!!  The dining room, the living room – that’s what I want.  OMG, you HAVE to go see that movie asap.”     A  few days  later, I dragged Elisabeth with me to go see it – though on reflection, she clearly was not old enough for the subject matter.    Of course I had the same reaction to the movie that most who saw it did.     I’m hoping it’s repeated again with the It’s Complicated house, but I’m not convinced.   The SGG house was special, so very special – even the two The Holiday houses couldn’t touch it.   I don’t have high hopes that the It’s Complicated house will knock SGG off its throne – but who cares?   The movie itself looks fabulous.

Here’s wishing everyone out there (not sure anyone is reading blogs though!) a very Merry Christmas!!!  Be safe, no drunk driving please, and stay warm!!!   It’s going to be freezing here in Texas so that means it’s probably freezing where you are too!!!!

James Radin - Something Gotta Give Designer

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James Radin designed kitchen, styled after the Something's Gotta Give kitchen

James Radin, the interior designer from Los Angeles is credited at the end of Something's Gotta Give with a "Thanks." There is no hint given of what he did to deserve the thanks, but savvy viewers in the know are aware of Radin's unique contribution to the movie - he is Nancy Meyers' ( the writer and director ) personal interior designer.  While Jon Hutman is listed as Production Designer and Beth Rubino is in charge of Set Decoration, it is Beth who has been truly credited with the house's design.   What was Radin's role in the house's design?    Apparently, Meyers so loves her own home and it's designer that she asked Radin to help out the production team.  The big question and one that will probably never be fully answered is who truly designed the Hamptons House? Who came up with the interiors of the Hamptons House?  In this article in House Beautiful, here is how Radin described his contribution:

DONNA PAUL: You've designed houses in two hit movies by director Nancy Meyers, Something's Gotta Give and The Holiday. Are you a set designer or an interior designer who also does sets?

JAMES RADIN: I'm an interior designer. I designed Nancy's own house, and she asked me to help the production design team with Diane Keaton's house in Something's Gotta Give. She wanted it to look professionally decorated, like Diane's character would have had.

 

So, at this point, it doesn't sound like Radin is the mastermind behind Hamptons House (and the house from the movie,  The Holiday, too - which I will discuss at another time.)     But, the question of who really designed the house becomes even more puzzling when you take a look at Radin's web site.   In his portfolio, which is not especially large, he shows photos from both the Something's Gotta Give AND The Holiday house.  So, by putting pictures of these two movie houses in his portfolio, does this not officially put the question of who is the true designer of the Hamptons House to rest?  Is James Radin the true designer of the beautiful Hamptons House, with its blue and white dhurri, its slipcovered sofa, the dark wood furniture, the beautiful slipcovered chairs in the dining room, the ironstone collection, the gorgeous farm kitchen with the black soapstone counters, and the peaceful cream bedroom with its soft, muted tones?  If Radin is NOT the true designer of the Hamptons House, should the house be in his portfolio? And if he is the true designer, of the Hamptons House - doesn't he deserve more than just a "thanks" on the credits?  How does Beth Rubino feel about the Hamptons House and The Holiday house showing up in Radin's portfolio?

 

Judging from his web site, Radin's work is truly reminiscent of the Something's Gotta Give house.  You can see the similarities in his other work in his portfolio.  Regardless of who is the true mastermind behind the SGG  house, Radin  is a true talent - he has a fresh, youthful look which is always calming and serene by his choice of colors.   Radin likes to use dark wood furniture, light upholstery fabrics, cushy, down filled sofas and chairs, and rattan and wicker accent pieces.  Again, he uses no dark colors, no velvets or silks, or chenille's (thank God!!) - Radin has a "look" which he stays true to, despite the architecture of the home.

 

While we may never know  who is the true brainchild behind the Something's Gotta Give house, one thing is certain though, Radin's name is forever tied to the home.  And even more so now since the house is  included  in his portfolio.   Judging from the overwhelming popularity of the SGG house, this will be very, very good for his business longevity.  

 

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This close up of a living room reveals the house is on the beach, probably in Malibu.  Just beautiful!!!!  Blues and white, seagrass matting  over dark hardwood floors, wood paneling, Michael Smith fabric on the sofa's pillow.  Dark hardwood furniture.  Calm, serene, and casual  - everything you would expect a beach house to be. 

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The dining area of the Malibu beach house:  I love the light rattan chairs with the dark table and the large lantern.  The two  areas are differentiated by large seagrass rugs over the dark hardwood floors.   Very similar to the SGG house in that the elements are here:  high contrast with dark floors and white walls, light colored upholstery, rattan furniture, dark wood furniture.  Very casual but still refined.

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The Malibu house bedroom.  More wood paneling and  beautiful curtains.  Michael Smith fabric on the pillows and the bed appears to be Smith's  too.  Large rattan coffee table.  Transom windows, seagrass matting overs the dark hardwood floors are similar to the SGG house.   Again, casual in the Malibu style.

 

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Another home in Radin's portfolio is again, similar in feel to the Hamptons House.   Soothing and calm, with blue and white ticking over the two chairs.   The appeal of the room is it's casualness - this looks like its a home with young children living there who are welcome in this room.  Though the pillow fabric is the same as used in the Malibu home, I don't believe this is the same house.  No captions make it impossible to tell for sure.

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This room appears to be the formal dining room of the house above.  Without captions it's hard to really say. 

 

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The eating and kitchen area of the living room above.  Love the way he used a vintage rattan sofa as a banquette around the table.  The pagoda chandelier stylistically matches the sofa.  Room has the same high wood paneling or wainscot  as the living area with the walls above painted a chamois color.

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This bedroom is wallpapered in natural textures.  The painting is just amazing.

 

 

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Another home in Radin's portfolio:  the architecture is a departure, but the furniture is not. 

 

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From the portfolio, this family room again has a Hamptons House feel to it.  I love the wicker and rattan chairs and sofa.  The colors and the curtains are similar to the SGG house, as is the art work.   Very casual, but in a sophisticated way.

 

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Radin's portfolio included this picture from the SGG house.  Actually - this is a different angle of the room which I hadn't seen a picture of before, so that is pleasing, in and of itself.    This view really highlights the importance that the books and bookcases played in the design.  Notice how much warmth the books add to the room.  Also, this is a great view of the windows with the transoms and the flowing, linen curtains.

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Radin's picture of the SGG dining room shows a larger view of the chandelier.  But still, it's not enough to fully see the curvy lines of the light fixture.  On a personal note, from doing these posts and staring at these pictures, I am going to slipcover my dining room chairs exactly like these and maybe even in the same fabric!   I am in love with these chairs!!!!

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This picture of the kitchen shows more on the left side than has previously been published before.  Again, by posting the pictures of the SGG house on his web site, Radin insures that his name is tied to the movie, forever  - a great business decision for his future.

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And, the last pictures included in the portfolio are the two homes from the movie, The Holiday.  Here, is the living room from the Brentwood home in the movie.   More contemporary than Radin's typical work, it shares elements with his more typical designs.

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The beautiful kitchen from The Holiday's Brentwood home.  The lanterns are such a strong design element.  Notice the floor is painted light gray, not dark for a change.  I love this kitchen.

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The Holiday:  Iris' small English cottage, the charming cozy cottage that steals the movie.  Completely different in feel from SGG in every way, by putting this house on his web site, Radin leaves no doubt that he is the creative genius behind Nancy Meyer's movie houses.    Right?  He is, isn't he?

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Left off the web site is this beautiful L.A. home that was in House Beautiful last year.  The owners definitely wanted the feel of the SGG house, but not a carbon copy.  Radin delivered on both fronts.  I love the rug here, similar but not nearly as bold as the Hamptons House rug.

 

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Cropped shot of the living room mantel with its blue and white vases, sconces, and black and white photography.   Beautiful carrara marble on the mantel matches the carrara in the kitchen.   I love the simplicity of the antique fire screen.  Noticeably the Hamptons House has no blue and white porcelains, something that I would have included in the design myself, but no one asked me!

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The family room with its blues and creams and tans blending with the blue and white striped fabric.

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Raoul Textile fabric covers the arm chair.  The couple had a beautiful collection of antique spongeware which Radin was not even aware of until after the house was completed!!!!

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This picture taken from the web site is a real surprise.  In other photographs of the closet, the picture is cropped without the bathtub included leaving the suggestion that this is only a closet and not the bathroom.    At 500 sq. ft. this room is just stunningly beautiful.  Imagine a closet with french doors covering the clothes!  And how open and easy is the fact that the closet is a part of the bathroom?   Just absolutely gorgeous!!

 

Below are photographs from a builder's web site, showing earlier work by Radin.  This first home, a contemporary Malibu beach house, is decorated with country antiques.   This house shows just how much Radin has grown as an interior designer:

 

And one other home from Radin's older work.  Again, it shows how far Radin's work has come.  Or, perhaps we can blame the owners for this mess:

 

 

Regardless if James Radin is the true interior designer of Nancy Meyers' last two movies sets, he is a new force in Californian design.  His future is very bright due to the Something's Gotta Give connection and his web site is proof of his abilities.

Be sure to check out Surrounding's blog for her exhaustive research on Nancy Meyers and Something's Gotta Give here.